|
|
|
|
|
The Old Violin
John Frederick Peto
National Gallery of Art
|
These poems, stories, songs, quotes, and art have been gathered
from all over the world, partly via
FIDDLE-L,
an online list for fiddlers and those who love fiddle music.
|
dhebert@crocker.com
|
|
|
|
The Touch of the Master's Hand
by Myra Brooks Welch
It was battered and scarred,
And the auctioneer thought it
hardly worth his while
To waste his time on the old violin,
but he held it up with a smile.
"What am I bid, good people", he cried,
"Who starts the bidding for me?"
"One dollar, one dollar, Do I hear two?"
"Two dollars, who makes it three?"
"Three dollars once, three dollars twice, going for three,"
But, No,
From the room far back a gray bearded man
Came forward and picked up the bow,
Then wiping the dust from the old violin
And tightening up the strings,
He played a melody, pure and sweet
As sweet as the angel sings.
The music ceased and the auctioneer
With a voice that was quiet and low,
Said "What now am I bid for this old violin?"
As he held it aloft with its' bow.
"One thousand, one thousand, Do I hear two?"
"Two thousand, Who makes it three?"
"Three thousand once, three thousand twice,
Going and gone", said he.
The audience cheered,
But some of them cried,
"We just don't understand."
"What changed its' worth?"
Swift came the reply.
"The Touch of the Masters Hand."
And many a man with life out of tune
All battered with bourbon and gin
Is auctioned cheap to a thoughtless crowd
Much like that old violin
A mess of pottage, a glass of wine,
A game and he travels on.
He is going once, he is going twice,
He is going and almost gone.
But the Master comes,
And the foolish crowd never can quite understand,
The worth of a soul and the change that is wrought
By the Touch of the Masters' Hand.
Myra Brooks Welch was called "The poet with the singing soul." As a young woman
she played the organ, but severe arthritis later confined her to a wheelchair and put an end to
her music life. She wrote "The Touch of The Master's Hand" in 1926. Folk singer and songwriter Sally Rogers set this poem
to music.
|
|